![]() ![]() ![]() We can all agree that Jimi Hendrix, Joni Mitchell, and the Beatles belong, but in what world are Heart or Chicago or the Red Hot Chili Peppers also worthy? That doesn’t strain the RRHOF’s credibility, it shatters it.īut if anything goes - and it must if Bon Jovi is in - Hüsker Dü should be a slam dunk. The Rock and Roll Hall of Fame is nonsense. While the quality of the band’s music has declined (their last official album, 2011′s “A Better Tomorrow,” was a pale shade of their peak sound), they remain an essential live act and rap royalty. Dre and DJ Premier in the holy trinity of influential rap producers. The group’s densely woven and intricate rhyme schemes (often geometric in structure), creative allusions, street smarts, and philosophical insights make the A-B/A-B/beat/punchline rhymes of so many contemporary MCs sound like child play.Įach member, especially Ghostface, Raekwon, and GZA, has carved out a highly lauded solo career, and RZA’s production, featuring dank but soulful cut-and-paste collages of found street sounds, Kung-fu B-movie snippets, and effects places him next to Dr. Its other members, U-God, Inspectah Deck, Masta Killa, Cappadonna, the late Ol’ Dirty Bastard, and mastermind and original producer RZA, have earned their places among the elite rappers.Ĭollectively, they have created music of undeniable force and intelligence over six official albums. The Staten Island supergroup contains four of the best MCs - Ghostface Killah, GZA, Chef Raekwon, and Method Man - to ever pick up a microphone. While the Wu legacy has many tentacles, it begins with the powerful music that shaped the course of rap. Geils Band wasn’t “influential” enough, let’s ask Adam Sandler if he still thinks “Love Stinks.” And if they have a problem with the band’s MTV/“Centerfold” heyday, which would turn out to be its last hurrah, all we can say to that is “na-na, na-na-na-na.” If the nominating committee thinks the J. The live albums (such as the aforementioned “Blow Your Face Out”) tell the story: Do you want to dance? Move and groove and slip and slide? Well, yes, don’t mind if we do. Geils Band has been nominated for the Hall multiple times, most recently in 2018, the year after their founder and namesake died at age 71. The kinds of songs that sound like perfection on a jukebox: “Looking for a Love,” “Where Did Our Love Go,” the rousing trashcan doo-wop of “I Do.” And when Wolf and keyboardist Seth Justman hit their groove writing songs together, they cranked out one crowd-pleaser after another: “Give It to Me,” “Must of Got Lost,” “Detroit Breakdown.” (That last one was a nod to the band’s home-away-from-home, in the gritty Motor City.) Originally formed in Worcester as a Chicago-style blues band, the Geils Band was great at identifying chestnuts that were ripe for reimagination.
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